More than Fish Porn
I have a love-hate relationship with taking fish pics. Sure, I love seeing the photos others take, and I like to capture an image of a nice catch as much as anybody. And I have some great pictures of Jannetta with some of the fish she has caught. But last week in Elevenmile Canyon, I had a different motivation when I took a picture of a fish.
Before I even netted the nice Cuttbow, before I even knew it was a Cuttbow, I knew I wanted to get a picture of him. I could tell he was a nice fish just a few seconds after he took the Trico I had trailing behind the Amy’s Ant. He made his first run downstream and the line whistled from my reel. I turned him and could feel his weight. He ran again. I turned him again. A nice fish.
But it wasn’t his apparent size that was the motivation for the picture. It may sound corny, but I wanted to preserve the entire event.
I didn’t see the fish before I cast, but I knew there had to be one suspending in the seam behind the submerged rock. The seam, that is, on the far-side of the rock. The side away from me. I knew I would need a good cast to place the Amy’s Ant just next to the rock, mend the line, and get a natural drift for both of the flies. I’d have to keep the fly line off the seam and faster water near me, on this side of the rock.
After I let the cast go, I watched the fly land at the seam just as I mended the line. Both flies began their drift. About two feet into the drift, the Amy’s Ant twitched. I set the hook. The Cuttbow had taken the Trico. He went deeper and then headed downstream. I had that rush you get when you feel the tug — the tug is the drug, they say. The fight was on.
As I was playing the fish, I kept thinking “this is a nice fish” and he was. He was no hawg. Other folks have posted pictures of way bigger fish. When I scooped him in the net, he stretched out a good portion of the basket.
But when I see the picture of him in my net, it’s not about the size of the fish. That picture is only part of the image I hold in my mind. I like the picture a lot. When I look at it, I see this: Reading the water. The perfect drift at that moment. The subtle movement of the Amy’s Ant. The set of the hook.